New Books at Roosevelt

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story--and who gets to be believed. It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper--and cousin by marriage--of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also skeptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story. The "Tichborne Trial"--wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title--captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . . Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."

What if you woke up one morning and found you'd acquired another self—a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, Naomi Klein had just such an experience—she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were similar enough to her own that many people confused her for the other. For a vertiginous moment, she lost her bearings. And then she got interested, in a reality that seems to be warping and doubling like a digital hall of mirrors. It’s happening in our politics as New Age wellness entrepreneurs turned anti-vaxxers find common cause with fire-breathing far right propagandists (all in the name of protecting “the children”). It’s happening in our culture as AI gobbles up music, paintings, fiction and everything in between and spits out imitations that threaten to overtake the originals. And it’s happening to many of us as individuals as we create digital doubles of ourselves, filtered and curated just so for all the other duplicates to see. An award-winning journalist, bestselling author, public intellectual and activist, Naomi Klein writes books that orient us in our time. She has offered essential accounts of what branding, austerity, and climate profiteering have done to our societies and souls. Now, as liberal democracies teeter on the edge, Klein takes aim at absurdist authoritarianism, using a keen sense of the ridiculous to face the doubles that haunt us. Part tragicomic memoir, part chilling reportage and cobweb-clearing analysis, Doppelganger invites readers on a wild ride, smashing through the mirror world, charting a path beyond despair towards true solidarity.

American Gun: The True Story of the AR-15 presents the epic history of America's most controversial weapon. In the 1950s, an obsessive firearms designer named Eugene Stoner invented the AR-15 rifle in a California garage. High-minded and patriotic, Stoner sought to devise a lightweight, easy-to-use weapon that could replace the M1s touted by soldiers in World War II. What he did create was a lethal handheld icon of the American century. In American Gun, the veteran Wall Street Journal reporters Cameron McWhirter and Zusha Elinson track the AR-15 from inception to ubiquity. How did the same gun represent the essence of freedom to millions of Americans and the essence of evil to millions more? To answer this question, McWhirter and Elinson follow Stoner--the American Kalashnikov--as he struggled mightily to win support for his invention, which under the name M16 would become standard equipment in Vietnam. Shunned by gun owners at first, the rifle's popularity would take off thanks to a renegade band of small-time gun makers. And in the 2000s, it would become the weapon of choice for mass shooters, prompting widespread calls for proscription even as the gun industry embraced it as a financial savior. Writing with fairness and compassion, McWhirter and Elinson explore America's gun culture, revealing the deep appeal of the AR-15, the awful havoc it wreaks, and the politics of reducing its toll. The result is a moral history of contemporary America's love affair with technology, freedom, and weaponry. Includes 8 pages of black-and-white images.

From journalist and drag historian Elyssa Maxx Goodman, an intimate, evocative history of drag in New York City exploring its dynamic role, from the Jazz Age to Drag Race, in queer liberation and urban life From the lush feather boas that adorned early female impersonators to the sequined lip syncs of barroom queens to the drag kings that have us laughing in stitches, drag has played a vital role in the creative life of New York City. But the evolution of drag in the city--as an art form, a community and a mode of liberation--has never before been fully chronicled. Now, for the first time, Elyssa Goodman unearths the dramatic, provocative untold story of drag in New York City in all its glistening glory. Glitter and Concrete ducks beneath the velvet ropes of Harlem Renaissance balls, examines drag's crucial role in the Stonewall Uprising, traces drag's influence on disco and punk rock as well as its unifying power during the AIDS crisis and 9/11, and culminates with the modern-day drag queen in the era of RuPaul's Drag Race. Including original interviews with high-profile performers, as well as glamorous color photos from exclusive sources and the author herself, Glitter and Concrete is a significant contribution to queer history and an essential read for anyone curious about the story that echoes beneath the heels.

The most urgent story in modern tech begins not in Silicon Valley but two hundred years ago in rural England, when workers known as the Luddites rose up rather than starve at the hands of factory owners who were using automated machines to erase their livelihoods. The Luddites organized guerrilla raids to smash those machines--on punishment of death--and won the support of Lord Byron, enraged the Prince Regent, and inspired the birth of science fiction. This all-but-forgotten class struggle brought nineteenth-century England to its knees. Today, technology imperils millions of jobs, robots are crowding factory floors, and artificial intelligence will soon pervade every aspect of our economy. How will this change the way we live? And what can we do about it? The answers lie in Blood in the Machine. Brian Merchant intertwines a lucid examination of our current age with the story of the Luddites, showing how automation changed our world--and is shaping our future.

Grammy Award-winning music scholar and celebrated biographer John Szwed presents the first biography of Harry Smith, the brilliant eccentric who transformed twentieth century art and culture. He was an anthropologist, filmmaker, painter, folklorist, mystic, and walking encyclopedia. He taught Patti Smith and Robert Mapplethorpe about the occult, swapped drugs with Timothy Leary, had a front-row seat to a young Thelonious Monk, lived with (and tortured) Allen Ginsberg, was admired by Susan Sontag, and was one of the first artists funded by Guggenheim Foundation. He was always broke, generally intoxicated, compulsively irascible, and unimpeachably authentic. Harry Smith was, in the words of Robert Frank, "the only person I met in my life that transcended everything." In Cosmic Scholar, the Grammy Award-winning music scholar and celebrated biographer John Szwed patches together, for the first time, the life of one of the twentieth century's most overlooked cultural figures. He was an insatiable creator and collector, responsible for the influential Anthology of American Folk Music and several pioneering experimental films, but was also an insufferable and destructive eccentric who was unable to survive in regular society or keep himself healthy or sober. Exhaustively researched, energetically told, and complete with a trove of images, Cosmic Scholar is a feat of biographical restoration and the long overdue canonization of an American icon.

The Education Myth questions the idea that education represents the best, if not the only, way for Americans to access economic opportunity. As Jon Shelton shows, linking education to economic well-being was not politically inevitable. In the eighteenth and nineteenth centuries, for instance, public education was championed as a way to help citizens learn how to participate in a democracy. By the 1930s, public education, along with union rights and social security, formed an important component of a broad-based fight for social democracy. Shelton demonstrates that beginning in the 1960s, the political power of the education myth choked off powerful social democratic alternatives like A. Philip Randolph and Bayard Rustin's Freedom Budget. The nation's political center was bereft of any realistic ideas to guarantee economic security and social dignity for the majority of Americans, particularly those without college degrees. Embraced first by Democrats like Lyndon Johnson, Jimmy Carter, and Bill Clinton, Republicans like George W. Bush also pushed the education myth. The result, over the past four decades, has been the emergence of a deeply inequitable economy and a drastically divided political system.

Is the goal of a transition to clean energy at all realistic? If so, how could it be accomplished? Climate change poses a formidable challenge for twenty-first-century governments. Unless they can move to a clean energy system built on efficiency, renewables, electrification, and possibly complementary technologies like nuclear energy and carbon capture and storage, it will be all but impossible to avoid the worst impacts of climate change. In this book, Daniel Fiorino provides a comprehensive introduction to the politics and policies of a clean energy transition and how it may unfold nationally and globally. Across its nine chapters, he explores the current energy landscape and the different pathways and pitfalls on the road to decarbonization. All scenarios for decarbonizing, he argues, rely on aggressive efficiency, the rapid scale-up of renewables, and the electrification of most of what is left. Yet this transition has to be accelerated and done effectively. There is little time left for second chances if we are to decarbonize later this century.

In The Prescription-to-Prison Pipeline Michelle Smirnova argues that the ongoing opioid drug epidemic is the result of an endless cycle in which suffering is medicalized and drug use is criminalized. Drawing on interviews with eighty incarcerated individuals in Missouri correctional institutions, Smirnova shows how contradictions in medical practices, social ideals, and legal policies disproportionately criminalize the poor for their social condition. This criminalization further exacerbates and perpetuates drug addiction and poverty. Tracing the processes by which social issues are constructed as biomedical ones that necessitate pharmacological intervention, Smirnova highlights how inequitable surveillance, policing, and punishment of marginalized populations intensify harms associated with both treatment and punishment, especially given that the distinctions between the two have become blurred. By focusing on the stories of people whose pain and pharmaceutical treatment led to incarceration, Smirnova challenges the binary of individual and social problems, effectively exploring how the conceptualization, diagnosis, and treatment of substance use may exacerbate outcomes such as relapse, recidivism, poverty, abuse, and death.

Truth and Repair is a profound and timely commentary that lies at the intersection of several cultural moments including the #MeToo movement, a resurgent interest in trauma, and the global movements focusing on racial injustices and abuses of power towards people of colour. Thoughtful, visceral, and moving, Truth and Repair is a necessary call to action that invites us to envision a new approach to justice-one that centers on healing and solidarity to stand with survivors everywhere.

A call to reform our antiquated political institutions before it's too late--from the authors of How Democracies Die America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations? And what can we do to save it? With the clarity and brilliance that made their first book, How Democracies Die, a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times. They draw on a wealth of examples--from 1930s France to present-day Thailand--to explain why and how political parties turn against democracy. They then show how our Constitution makes us uniquely vulnerable to attacks from within: It is a pernicious enabler of minority rule, allowing partisan minorities to consistently thwart and even rule over popular majorities. Most modern democracies--from Germany and Sweden to Argentina and New Zealand--have eliminated outdated institutions like elite upper chambers, indirect elections, and lifetime tenure for judges. The United States lags dangerously behind. In this revelatory book, Levitsky and Ziblatt issue an urgent call to reform our politics. It's a daunting task, but we have remade our country before--most notably, after the Civil War and during the Progressive Era. And now we are at a crossroads: America will either become a multiracial democracy or cease to be a democracy at all.

In this sweeping book, Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them.

UNRELIABLE NARRATOR is a collection of essays that uses Aparna's signature humor to illuminate an interior life—one constantly bossed around by her depression (whom she calls Brenda), laced with anxiety like a horror movie full of jump scares, and plagued by an unrepenting love-hate relationship with her career as a painfully shy standup comedian. But luckily, crippling self-doubt comes with the gift of keen self-examination.These essays deliver hilarious and incredibly insightful meditations on body image, productivity culture, the ultra-meme-ability of mental health language, and who, exactly, gets to make art "about nothing." Despite her own arguments to the contrary, UNRELIABLE NARRATOR is undeniable proof that Aparna is a force--as a comedian and author alike--to be reckoned with.

New York City, 1929. A sanatorium, a deadly disease, and a dire nursing shortage. In the pre-antibiotic days when tuber­culosis stirred people's darkest fears, killing one in seven, white nurses at Sea View, New York's largest municipal hospital, began quitting en masse. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the stric­tures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed sanatorium, dubbed "the pest house," where it was said that "no one left alive." Spanning the Great Depression and moving through World War II and beyond, this remarkable true story follows the intrepid young women known by their patients as the "Black Angels." For twenty years, they risked their lives work­ing under appalling conditions while caring for New York's poorest residents, who languished in wards, waiting to die, or became guinea pigs for experimental surgeries and often deadly drugs. But despite their major role in desegregating the New York City hospital system--and their vital work in helping to find the cure for tuberculo­sis at Sea View--these nurses were completely erased from history. The Black Angels recovers the voices of these extraordinary women and puts them at the center of this riveting story, celebrating their legacy and spirit of survival.

Harriet Tubman, forced to labor outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women's basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World's Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas, and to underappreciated figures like Native American activist writer Zitkála-Sá, also known as Gertrude Bonnin, farmworkers' champion Dolores Huerta, and labor and Civil Rights organizer Grace Lee Boggs. This beautiful, meditative work of history puts girls of all races-and the landscapes they loved-at center stage and reveals the impact of the outdoors on women's independence, resourcefulness, and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports, and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism, and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them-and argues for equal access to outdoor spaces for young women of every race and class today.

In the fall of 1871, Chicagoans knew they were due for the "big one"—a massive, uncontrollable fire that would decimate the city. It had been bone-dry for months, and a recent string of blazes had nearly outstripped the fire department's already scant resources. Then, on October 8, a minor fire broke out in the barn of Irishwoman Kate Leary. A series of unfortunate mishaps and misunderstandings, along with insufficient preparation and a high south-westerly wind, combined to set the stage for an unmitigated catastrophe. The conflagration that spread from the Learys' property quickly overtook the neighborhood, and before long, the floating embers had been cast to the far reaches of the city. Nothing to the northeast was safe. Families took to the streets with every possession they could carry. Powerful gusts whipped the flames into a terrifying firestorm. The Chicago River boiled. Over the next forty-eight hours, Chicago fell victim to the largest and most destructive natural disaster the United States had yet endured. The effects of the Great Fire were devastating. But they were also transforming. Out of the ashes, faster than seemed possible, rose new homes, tenements, hotels, and civic buildings, as well as a new political order. The elite seized the reconstruction to crack down on vice, control the disbursement of vast charitable funds, and rebuild the city in their image. But the city's working class recognized only a naked power grab that would challenge their traditions, hurt their chances to keep their hard-earned property, and move power out of the hands of elected officials and into private interests. As soon as the battle against the fire ended, another battle for the future of the city erupted between its entrenched business establishment and its poor and immigrant laborers and shopkeepers.      An enrapturing account of the fire's inexorable march and an eye-opening look at its aftermath, The Burning of the World tells the story of one of the most infamous calamities in history and the new Chicago it precipitated--a disaster that still shapes American cities to this day.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.   A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele's anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and--like his spine-chilling films--its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

From one of contemporary literature's most exciting new voices, a haunting story centered on the Hungarian polymath John von Neumann, tracing the impact of his singular legacy on the dreams and nightmares of the twentieth century and the nascent age of AI Benjamín Labatut's When We Cease to Understand the World electrified a global readership. A Booker Prize and National Book Award finalist, and one of the New York Times' Ten Best Books of the Year, it explored the life and thought of a clutch of mathematicians and physicists who took science to strange and sometimes dangerous new realms. In The MANIAC, Labatut has created a tour de force on an even grander scale. A prodigy whose gifts terrified the people around him, John von Neumann transformed every field he touched, inventing game theory and the first programable computer, and pioneering AI, digital life, and cellular automata. Through a chorus of family members, friends, colleagues, and rivals, Labatut shows us the evolution of a mind unmatched and of a body of work that has unmoored the world in its wake. The MANIAC places von Neumann at the center of a literary triptych that begins with Paul Ehrenfest, an Austrian physicist and friend of Einstein, who fell into despair when he saw science and technology become tyrannical forces; it ends a hundred years later, in the showdown between the South Korean Go Master Lee Sedol and the AI program AlphaGo, an encounter embodying the central question of von Neumann's most ambitious unfinished project: the creation of a self-reproducing machine, an intelligence able to evolve beyond human understanding or control. A work of beauty and fabulous momentum, The MANIAC confronts us with the deepest questions we face as a species.

Monica is a series of interconnected narratives that collectively tell the life story -- actually, stories -- of its title character. Clowes calls upon a lifetime of inspiration to create the most complex and personal graphic novel of his distinguished career. Rich with visual detail, an impeccable ear for language and dialogue, and thrilling twists, Monica is a multilayered masterpiece in comics form that alludes to many of the genres that have defined the medium -- war, romance, horror, crime, the supernatural, etc. -- but in a mysterious, uncategorizable, and quintessentially Clowesian way that rewards multiple readings. Five years in the making, Monica marks the apex of creativity from one of the defining voices of the graphic novel boom over the past quarter-century. A new book from Clowes is always a huge event in comics and literary circles; Monica will be the biggest literary event of 2023.

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story--and who gets to be believed. It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper--and cousin by marriage--of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also skeptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story. The "Tichborne Trial"--wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title--captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . . Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of "other people."